When the patterns seem to get to old or overused, you can combine them with something else to create a new pattern. Here, the strings are two different things, the accento pattern mixed with the Color E3 melody in the same instrument. In this case, I used a spiccato strings ensemble patch.
Since I am using Logic, I created a Summing Stack of the two tracks instead of using the Scaler 3 internal arrangement tool. I created the chord progression in Scaler and exported them to the chord track in Logic and added the chords to the track from there. That way, I could just edit the chords directly to make the ending come out the way I wanted.
If you are using the chords in the track this way, get the main one and then just duplicate the track and it creates an instance of scaler with the same settings and change the motion to the other one you want. I did have to adjust the levels to make them sound more blended. Then just duplicated the same track again for the lead oboe melody so I could set the scale to the input. I did change it after the fact to move some of the notes out of the scale to what I wanted.
Another advantage of doing it external to Scaler is that it is easy to do sections in a different key and still be able to use the tools to lock to scale tones in different sections. If you don’t want a bunch of different tracks for each section with that key, you can bounce them to audio and just deal with it all in the same track.
(oops, I originally posted this in the wrong section. Sorry)