I like the technique of Pedal Tone as nicely explained here:
As novice to music theory the freedom to cycle with different scales/modes around the Pedal Tone is kind of releasing from mental pressure while it still generates interesting and well sounding harmonies (Pink Floyd are my heroes).
I am wondering how Scaler can support me in writing a progression (manifested as either chords or arp or ostinato or phrase) which locks to a pedal tone.
Looks like Neo Riemannian or Mediant modulation are kind of instances of this class.
Thanks for sharing, yes there definitely is a method in holding bass notes whilst moving around upper notes of the chord, very erm - Coldplay! Gives me an idea. I’ll discuss with team…
Here’s a musical example for utilizing the concept of Drone/Pedal-Tone.
From Scaler I used a couple of NeoRiemannian-Transitions mostly PL.
In addition noodling with Ostinator pattern around the respective chords.