It’s true. Dragging and dropping makes Scaler very very great.
Yesterday, taking advantage of the launch offer in EastWest, and thanks to having followed this other forum thread Hollywood OPUS Orchestrator I subscribed for one year to Orchestrator and Opus (and all the great sounds that EastWest includes on ComposerCloud) https://www.youtube.com/watch?v=ZA9hlc25c2Y&pp=qAMBugMGCgJlcxAB. I did it because it seemed to me that it would be important in the way I want to make my music (sheet music included). Also because I saw the Guy Michelmore video https://www.youtube.com/watch?v=CTqsxR_z9X8
He doesn’t like it that much; he is more traditional, more musician, more composer … But, he is not incompatible with following a good apprenticeship, or looking for new ways based on things that have already succeeded.
The amount of available samples is huge, and they all sound great. In his video, Michelmore made me see that he had an educational version option for 50% of the actual price (in addition to the promotional offer). So for € 10 a month I’m going to have those great sounds and the ability to research how to make those scores. Now the only problem is getting my computer to go faster and not crash with those samples. I will make a video explaining how I have already managed to separate voices and independent midis files in Ableton. Those midis can then be opened and edited in Musecore or any other score editor. At the moment, I’m still making room on my external drives for samples, hehehe
I leave you a couple of images to give you an idea. For now, I tell you that the most wonderful thing is to regain illusion, and I am excited
You can mute or solo anything (woodwinds, brass, percussion or strings). Then you record and then export each track as a midi that you can open in your score editor. I’m pretty sure Mozart had a show like this, 